A FABLE FOR THE CRITICS.
13
And cold spells, the coldest for many past winters,—
Then, rising by industry, knack, and address,
Got notices up for an unbiased press,
With a mind so well poised, it seemed equally made for
Applause or abuse, just which chanced to be paid for;
From this point his progress was rapid and sure,
To the post of a regular heavy reviewer.
Then, rising by industry, knack, and address,
Got notices up for an unbiased press,
With a mind so well poised, it seemed equally made for
Applause or abuse, just which chanced to be paid for;
From this point his progress was rapid and sure,
To the post of a regular heavy reviewer.
And here I must say he wrote excellent articles
On the Hebraic points, or the force of Greek particles,
They filled up the space nothing else was prepared for;
And nobody read that which nobody cared for;
If any old book reached a fiftieth edition,
He could fill forty pages with safe erudition;
He could gauge the old books by the old set of rules,
And his very old nothings pleased very old fools;
But give him a new book, fresh out of the heart,
And you put him at sea without compass or chart,—
His blunders aspired to the rank of an art;
For his lore was engraft, something foreign that grew in him,
Exhausting the sap of the native and true in him.
So that when a man came with a soul that was new in him,
Carving new forms of truth out of Nature's old granite,
New and old at their birth, like Le Verrier's planet,
Which, to get a true judgment, themselves must create
In the soul of their critic the measure and weight,
On the Hebraic points, or the force of Greek particles,
They filled up the space nothing else was prepared for;
And nobody read that which nobody cared for;
If any old book reached a fiftieth edition,
He could fill forty pages with safe erudition;
He could gauge the old books by the old set of rules,
And his very old nothings pleased very old fools;
But give him a new book, fresh out of the heart,
And you put him at sea without compass or chart,—
His blunders aspired to the rank of an art;
For his lore was engraft, something foreign that grew in him,
Exhausting the sap of the native and true in him.
So that when a man came with a soul that was new in him,
Carving new forms of truth out of Nature's old granite,
New and old at their birth, like Le Verrier's planet,
Which, to get a true judgment, themselves must create
In the soul of their critic the measure and weight,