the actor to make his voice heard throughout the structure, and for the reason that the language of signs was the only language that could be readily understood by an audience made up of so many different nationalities as composed a Roman assemblage.
More important and more popular than the entertainments of the theatre were the various games, especially the chariot races, of the circus. But surpassing in their terrible fascination all other public amusements were the animal-baitings and the gladiatorial combats of the arena.
The beasts required for the baitings were secured in different parts of the world, and transported to Rome and the other cities of the empire at an enormous expense. The wildernesses of Northern Europe furnished bears and wolves; Africa contributed lions, crocodiles, and leopards; Asia elephants and tigers. These creatures were pitted against one another in every conceivable way. Often a promiscuous multitude would be turned loose in the arena at once. But even the terrific scene that then ensued, became at last too tame to stir the blood of the Roman populace. Hence a new species of show was introduced, and grew rapidly into favor with the spectators of the amphitheatre. This was the gladiatorial combat.
The Gladiatorial Combats.—Gladiatorial games seem to have had their origin in Etruria, whence they were brought to Rome. It was a custom among the early Etruscans to slay prisoners upon the warrior's grave, it being thought that the spirit of the dead delighted in the blood of such victims. In time the. condemned prisoners were allowed to fight and kill one another, this being deemed more humane than their cold-blooded slaughter. Thus it happened that sentiments of humanity gave rise to an institution which, afterwards perverted, became the most inhuman of any that ever existed among a civilized people.
The first gladiatorial spectacle at Rome was presented by two sons at the funeral of their father, in the year 264 B.C. This exhibition was arranged in one of the forums, as there were at that time no amphitheatres in existence. From this time the public
