reformed the administration of the government (see p. 82), making such wise and lasting changes that he has been called "the second founder of the Persian empire"; established post-roads, instituted a coinage for the realm, and upon the great rock of Behistun, a lofty smooth-faced cliff on the western frontier of Persia, caused to be inscribed a record of all his achievements.[1]
And now the Great King, Lord of Western Asia and of Egypt, conceived and entered upon the execution of vast designs of conquest, the far-reaching effects of which were destined to live long after he had passed away. Inhospitable steppes on the north, and burning deserts on the south, whose shifting sands within a period yet fresh in memory had been the grave of a Persian army, seemed to be the barriers which Nature herself had set for the limits of empire in these directions. But on the eastern flank of the kingdom the rich and crowded plains of India invited the conqueror with promises of endless spoils and revenues; while on the west a new continent, full of unknown mysteries, presented virgin fields never yet traversed by the army of an Eastern despot. Darius determined to extend the frontiers of his empire in both these directions.
At one blow the region of northwestern India known as the Punjab, was brought under Persian authority; and thus with a single effort were the eastern limits of the empire pushed out so as to include one of the richest countries of Asia—one which henceforth returned to the Great King an annual revenue vastly larger than that of any other province hitherto acquired, not even excepting the rich district of Babylonia.
With an army numbering, it is said, more than 700,000 men, Darius now crossed the Bosphorus by means of a sort of pontoon bridge, constructed by Grecian architects, and passing the Danube by means of a similar bridge, penetrated far into what is now Rus-
- ↑ This important inscription is written in the cuneiform characters, and in three languages, Aryan, Turanian, and Semitic. It is the Rosetta Stone of the cuneiform writings, the key to their treasures having been obtained from its parallel columns.
