the best of his ability, he did. His conception of genius and art may not have tallied with that of Augustus; but when an old lady made paper flowers to perfection, he gave her a royal reward.
Mrs. Delany's example was followed in court circles, and in the humbler walks of life. Shell-work, which was one of her accomplishments, became the rage. Her illustrious friend, the Duchess of Portland, "made shell frames and feather designs, adorned grottoes, and collected endless objects in the animal and vegetable kingdom." Young ladies of taste made flowers out of shells, dyeing the white ones with Brazil wood, and varnishing them with gum arabic. A rose of red shells, with a heart of knotted yellow silk, was almost as much admired as a picture of birds with their feathers pasted on the paper. This last triumph of realism presented a host of difficulties to the perpetrator. When the bill and legs of the bird had been painted in water colours on heavy Bristol-board, the space for its body was covered with a paste of gum arabic as thick as a shilling. This paste was kept "tacky or clammy" to
