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A HISTORY OF BOHEMIAN LITERATURE

taken place in the shape of the Unity. Lucas draws a curious mystic parallel between the life of Christ and the development of the Unity. He also refers to the simplicity of the primitive Church, and to the gradual increase of the power of the Bishops of Rome. In distinction from his predecessors, Lucas no longer believes in the "donation of Constantine." He only tells us that Constantine placed the Bishop of Rome before all other bishops. "Constantine," Lucas tells us, "seated Sylvester on a white horse. This appeared wonderful to the people, and in their Latin or Italian speech they exclaimed, 'Pape! Pape!'[1] that is, 'What a great, great wonder!'" Only Charles the Great, Lucas tells us, added temporal power to the ecclesiastical supremacy. It is particularly noticeable that in this book also Lucas does not allude to his travels, though on several occasions it would have been natural to do so. It is almost certain that this silence is intentional. Dr. Goll has, with great sagacity, suggested its cause. The brethren now believed that the true primitive Church had been revived in their own community, and did not wish to recall the fact that they had formerly sought for it elsewhere.

The polemical works of Lucas are very numerous, and are directed indifferently against all those who did not accept the doctrine of the Unity as expounded by him. His controversies with Luther have already been mentioned. A work of Lucas's is directed against Zwingli, whose teaching had also penetrated into Bohemia. He also engaged in a theological controversy with "Wolfgang, the barefooted friar." Wolfgang, one of the earlier champions of the Church of Rome, played a

  1. This passage recalls Dante's "Pape Satan! Pape Satan Aleppe!" (Inferno, Canto VII.).