obscurity which still covers ancient Bohemian literature, and of the possibility that, of the many other ancient books that are known to have existed but have been lost, some may be yet recovered. The condition of Bohemian literature in this respect recalls rather that of ancient literatures than that of other modern European countries. Blahoslav's Grammar has great interest in spite of its rather unattractive name, which is not indeed quite correct. Besides a full account of the construction of the Bohemian language based on Latin grammar, with which Blahoslav was thoroughly acquainted, the book contains a series of short but very pertinent critical notes on some earlier Bohemian writers, beginning with Hus. I have already quoted Blahoslav's criticisms on Lucas, Krasonický, and Augusta. It may be interesting here to quote his self-criticism also. Under the heading of "The Works of Blahoslav" he writes: "It seems to me, if some think that my opinion on this subject is just, that no good Bohemian can blame my manner of writing Bohemian, as shown in my version of the New Testament, which has been twice published and printed at Ivančice. Also of the little book called Additions to (i.e. notes on) Music, or simply Music. I think that, particularly in its last edition, it contains good and also graceful Bohemian writing. Of other similar works of mine I am silent; let the result show the truth. 'Decere nam mihi videtur ut de metipso quam modestissime loquor, cum mihi sim bene conscius, quam et mihi sit curta suppellex.' We know that we are all imperfect, but yet to a different degree, some more and some less."
Posterity has on the whole confirmed Blahoslav's judgment. His works, particularly his translation of
