have "leaden knots and angles;" then her snow-white nude body appears in six colours: her body appears white, her face green; red the flowing stream of blood; black the open wounds; blue the stripes caused by the whip; golden the plaits of her hair. All these colours of course have a mystical significance. When Catherine is decapitated, milk, as symbol of her purity, flows from her body.
Less known than the legend of St. Catherine, but certainly equally valuable, is the Bohemian legend of St. Dorothy. The martyrdom of that saint has been a favourite subject for the painters and poets of many countries. In our time Mr. Swinburne has made it the subject of a beautiful poem. Several Bohemian versions of the legend have been preserved. The most interesting of them, though probably not one of the oldest, is the version contained in the manuscript of St. Vitus. It is written in short and somewhat irregular rhymes. The mediæval mystical idea of the marriage between Christ and female saints appears here even more prominently than in the legend of St. Catherine. Dorothy, who is of royal blood, refuses to marry the cruel heathen King Fabricius and to renounce the Christian faith. The poem begins with a short invocation of St. Dorothy:—
"Dorothy, O maiden fair,
The Holy Church celebrates thy festival,
For thou wast a maiden choice,
One chosen by God.
Thy virtues, beauty, and purity
No one can describe;
Adorned by these
Thou wast wedded to Christ.
Rejoicing now with thy husband,
Help us in our misery;
Lead us to eternal bliss."
