Dcerka and Dalimil's Chronicle, which were then almost unknown.
A better poet than Hanka was his contemporary Ladislav Čelakovský. The best of his many poetical works are two collections of national songs entitled respectively Echoes of Russian Song and Echoes of Bohemian Song. These books, contrary to what the title would lead one to infer, are mainly original, though Čelakovský has made thorough use of his knowledge of the legends and traditions of the Slav peasantry. Another collection of poetry is entitled The Hundred-Leaved Rose. As in Kollar's Daughter of Sláva, the love motive struggles with the patriotic motive for supremacy in this poem – not perhaps to its advantage. We possess prose works also of Čelakovský dealing with the Bohemian language. That subject was ever before the minds of the Bohemian writers of the earlier half of this century, of whom Čelakovský is one of the most correct.
It is beyond the purpose of this book to give a complete list of the modern "minor poets" of Bohemia. I may mention as among the best, Macha, who imitated Byron, Jungmann's friend Marek, Halek, Koubek, and Rubes. The last-named is the author of a song entitled Ja jsem Čech a kdo je vic? ("I am a Bohemian, and who is more?"), which is still very popular in Bohemia. The drama has only been greatly cultivated in Bohemia within the last twenty years, particularly since the establishment of the large Bohemian theatre at Prague. At present Bohemia possesses a considerable number of dramatic authors. Of older dramatists we must first mention Joseph Tyl (1808-1856), the author of very numerous dramatic works. In one of these Tyl introduced a song beginning with the words Kde
