few colours; he also produced small popular sheets toned in pink and grey only, as well as kakemonos. Illustrated books by him appeared about 1789 and 1801 (Duret).
One of his pupils was Shunto (illustration in Hayashi Catalogue, No. 786), a successor (?) about 1830 of Shunwa (ibid., No. 789). As his pupils, we shall also have occasion to mention Shunsen and Shuntei, the contemporaries of Hokusai.
Three other pupils of the latter part of Shunsho's life, Shunman, Shuncho, and Shunzan, came entirely under the influence of Kiyonaga, the victorious successor of their master, thus following the tendency of the times. They can thus be postponed to the end of the chapter on Kiyonaga. With respect to Gakutei, see under Hokusai.
As further pupils of Shunsho may be mentioned: Katsukawa Shundo, who also signed himself Rantokusai. An illustrated book by him appeared at Yedo in 1790 (illustration in Hayashi Catalogue, No. 622 seqq.). Katsukawa Shemkaku (ibid., No. 625), Katsukawa Shunsui II. (ibid., No. 628), Shunri (ibid., No. 771), Shunjo, who published an illustrated book at Yedo in 1782 (ibid., No. 618).
Probable pupils of Shunsho are: Angiusai Yenshi, who, according to the Tokio Catalogue (No. 163), worked in the eighties in the style of Kiyonaga (Hayashi Catalogue, No. 766), and Shoyu (ibid., No. 770).
Other contemporary artists are: Katsukawa Kinjiro (Hayashi Catalogue, No. 629). Ikku, whose family name was Shigeda and whose artistic name was Yochichi, was specially famous as a novelist (ibid., No. 769); illustrated books by him appeared at Yedo from 1799 to 1813. Rinkusai, who published a book of actors (Yedo, 1790), 3 vols. (Duret).
