panionship—or even of inhuman jargon. The crudest as the most refined pedantry of semi-science, tricked out at second hand in the freshest or the stalest phrases of archaic schoolmen or neologic lecturers that may be swept up from the dustiest boards or picked up under the daintiest platforms irradiated or obfuscated by new lamps or old, will avail nothing to guide any possible seeker on the path towards an exploration by physical analysis or metaphysical synthesis of the source or the process, the fountain or the channel or the issue, of this subtle and infallible force of nature—the progress from the root into the fruit of this direct creative instinct. Yet thus far, perhaps, we may reasonably attempt some indication of the difference which divides pure
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CHARLOTTE BRONTË.
