mood of acquiescence with the graceful or natural inventions and fancies of an honest and ingenious workman, and in no mind to question or dispute the accuracy of his transcript from life or the fidelity of his design to the modesty and the likelihood of nature; the second, of high enough quality to engage our judgment in its service, and make direct demand on our grave attention for deliberate assent or dissent; the third, which in the exercise of its highest faculties at their best neither solicits nor seduces nor provokes us to acquiescence or demur, but compels us without question to positive acceptance and belief. Of the first class it would be superfluous to cite instances from among writers of our own day, not undeserving of serious respect and of genuine gratitude for much
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CHARLOTTE BRONTË.
9
