I
COMEDIES, TRAGEDIES, AND MASQUES
If poets may be divided into two exhaustive but not exclusive classes,—the gods of harmony and creation, the giants of energy and invention,—the supremacy of Shakespeare among the gods of English verse is not more unquestionable than the supremacy of Jonson among its giants, Shakespeare himself stands no higher above Milton and Shelley than Jonson above Dryden and Byron. Beside the towering figure of this Enceladus the stature of Dryden seems but that of an ordinary man, the stature of Byron—who indeed can only be classed among giants by a somewhat licentious or audacious use of metaphor—seems little higher than a dwarf's. Not even the ardour of his most fanatical worshippers, from the date of Cartwright and Randolph to the date of Gilchrist and Gifford, could exaggerate the actual greatness of his various and marvellous energies. No giant ever came so
