absence as the breath of inspiration: that the artist, the scholar, the disciple, the student of classic models, is as indiscoverable as the spontaneous humourist or poet. The wildest, the roughest, the crudest offspring of literary impulse working blindly on the passionate elements of excitable ignorance was never more formless, more incoherent, more defective in structure, than this voluminous abortion of deliberate intelligence and conscientious culture,
There is a curious monotony in the variety—if there be not rather a curious variety in the monotony—of character and of style which makes it even more difficult to resume the study of Cynthia's Revels when once broken off than even to read through its burdensome and bulky five acts at a sitting; but the reader who lays siege to it with a sufficient supply of patience will find that the latter is the surer if not the only way to appreciate the genuine literary value of its better portions. Most of the figures presented are less than sketches and little more than outlines of inexpert and intolerant caricature: but the 'half-saved' or (as Carlyle has it) 'insalvable' coxcomb and parasite Asotus, who puts himself under the tuition of Amorphus and the patronage of Anaides,
