a success as notable as we must otherwise consider his failure. For the accusation of weakness in moral design, of feeble or unnatural treatment of character, cannot with any show of justice be brought against him. Coleridge, whose judgment on a question of ethics will scarcely be allowed to carry as much weight as his authority on matters of imagination, objects with some vehemence to the incredible inconsistency of Sejanus in appealing for a sign to the divinity whose altar he proceeds to overthrow, whose power he proceeds to defy, on the appearance of an unfavourable presage. This doubtless is not the conduct of a strong man or a rational thinker: but the great minister of Tiberius is never for an instant throughout the whole course of the action represented as a man of any genuine strength or any solid intelligence. He is shown to us as merely a cunning, daring, unscrupulous and imperious upstart, whose greed and craft, impudence and audacity, intoxicate while they incite and undermine while they uplift him.
The year which witnessed the appearance of Sejanus on the stage—acclaimed by Chapman at greater length if not with greater fervour than by any other of Jonson's friends or satellites—
