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A Study of Shakespeare.
115

in either or in any way to falsify it. From king to king, from cardinal to cardinal, from the earliest in date of subject to the latest of his histories, we find the same thread running, the same link of honourable and righteous judgment, of equitable and careful equanimity, connecting and combining play with play in an unbroken and infrangible chain of evidence to the singleness of the poet's eye, the identity of the workman's hand, which could do justice and would do no more than justice, alike to Henry and to Wolsey, to Pandulph and to John. His typical English hero or historic protagonist is a man of their type who founded and built up the empire of England in India; a hero after the future pattern of Hastings and of Clive; not less daringly sagacious and not more delicately scrupulous, not less indomitable or more impeccable than they. A type by no means immaculate, a creature not at all too bright and good for English nature's daily food in times of mercantile or military enterprise; no whit more if no whit less excellent and radiant than reality. Amica Britannia, sed magis amica veritas. The master poet of England—all Englishmen may reasonably and honourably be proud of it—has not two weights and two measures for friend and foe.