Shakespeare at any time is worthy of Shakespeare at his highest: and of this every touch, every line, every incident, every syllable, belongs to pure and simple tragedy. The evasion of a tragic end by the invention and intromission of Mariana has deserved and received high praise for its ingenuity but ingenious evasion of a natural and proper end is usually the distinctive quality which denotes a workman of a very much lower school than the school of Shakespeare. In short and in fact, the whole elaborate machinery by which the complete and completely unsatisfactory result of the whole plot is attained is so thoroughly worthy of such a contriver as "the old fantastical duke of dark corners" as to be in a moral sense, if I dare say what I think, very far from thoroughly worthy of the wisest and mightiest mind that ever was informed with the spirit or genius of creative poetry.
I have one more note to add in passing which touches simply on a musical point in lyric verse; and from which I would therefore give any biped who believes that ears "should be long to measure Shakespeare" all timely warning to avert the length of his own. A very singular question, and one to me unaccountable except by a supposition which on charitable grounds I should be loth to entertain for
