dozen poets then living as the answering passage in Measure for Measure could assuredly have been written by Shakespeare alone.
As on a first reading of the Hippolytus of Euripides we feel that, for all the grace and freshness and lyric charm of its opening scenes, the claim of the poem to our ultimate approval or disapproval must needs depend on the success or failure of the first interview between Theseus and his calumniated son; and as on finding that scene to be feeble and futile and prosaic and verbose we feel that the poet who had a woman's spite against women has here effectually and finally shown himself powerless to handle the simplest elements of masculine passion, of manly character and instinct; so in this less important case we feel that the writer, having ventured on such a subject as the compulsory temptation of a daughter by a father, who has been entrapped into so shameful an undertaking through the treacherous exaction of an equivocal promise unwarily confirmed by an inconsiderate oath, must be judged by the result of his own enterprise; must fail or stand as a poet by its failure or success. And his failure is only not complete; he is but just redeemed from utter discomfiture by the fluency and simplicity of his equable but inadequate style. Here as before we find plentiful examples of the gracefully conventional tone current among the lesser writers of the hour.
Warwick.How shall I enter on this graceless errand?
I must not call her child; for where's the father
That will in such a suit seduce his child?
Then, Wife of Salisbury;—shall I so begin?
