transforming verse under a guise at once weak and wordy, coarse and unchivalrous. The whole scene is at all points alike in its unlikeness to the workmanship of Shakespeare.
Here then I think we may finally draw bridle: for the rest of the course is not worth running; there is nothing in the residue of this last act which deserves analysis or calls for commentary. We have now examined the whole main body of the work with somewhat more than necessary care; and our conclusion is simply this: that if any man of common reading, common modesty, common judgment, and common sense, can be found to maintain the theory of Shakespeare's possible partnership in the composition of this play, such a man will assuredly admit that the only discernible or imaginable touches of his hand are very slight, very few, and very early. For myself, I am and have always been perfectly satisfied with one single and simple piece of evidence that Shakespeare had not a finger in the concoction of King Edward III. He was the author of King Henry V.
