Art Handbooks—continued.
The Old Masters at the National Gallery. 128Illusts. rs. 6d. Academy Notes, 1875-79. Complete in One Volume, with
nearly 600 Illustrations, in Facsimile. Demy 8vo, cloth limp, 6s.
A Complete Illustrated Catalogue to the National Gallery. With Notes by Henry BLacksurn, and 242 Illustrations. Demy 8vo, cloth limp, 3s. oo
UNIFORM WITH “ACADEMY NOTES.”
Royal Scottish Academy Notes, 1878. 117 Illustrations. Is.
Royal Scottish Academy Notes, 1879. 125 Illustrations. 15.
Glasgow Institute of Fine Arts Notes,1878. 95 Illustrations. Is.
Glasgow institute of Fine Arts Notes, 1879. 100 IIlusts. Is.
Walker Art Gallery Notes, Liverpool, 1878. 112 Ilusts. rs.
Walker Art Gallery Notes, Liverpool, 1879. 100 Iilusts. Is.
Royal Manchester Institution Notes, 18'78. 88 Illustrations. 15.
Royal Society of Artists Notes, Birmingham, 1878. 95 Ilns- trations, Is.
Children of the Great City. By F. W. Lawson. With Fac- simile Sketches by the Artist. Demy 8vo, zs.
Folio, half-bound boards, India Proofs, 21s.
Blake (William),
Etchings from his Works. By W.B.Scorr. With descriptive Text.
“ The best side of Blake’s work is given here, and makes a really attractive volume, which all can enjoy. . » . The etching is of the best kind, morerefined and delicate than the original work,” —-SATURDAV REVIEW.
- Crown 8vo, cloth extra, gilt, with Illustrations, 7s. 6d.
Boceaccio’s Decameron;
or, Ten Days’ Entertainment. Translated into English, with an Intro-
duction by THOMAS WRIGHT, Esq., M.A., F.S.A. With Portrait, and STOTHARD’s beautiful Copperplates,
Crown 8vo, cloth extra, gilt, 7s. 6d. Brand’s Observations on Popular Antiquities,
chiefly Illustrating the Origin of our Vulgar Customs, Ceremonies, and Superstitions. With the Additions of Sir Henry ELuis. An entirely . New and Revised Edition, with fine full-page Illustrations. :
Bret Harte, Works by:
The Select Works of Bret Harte, in Prose and Poetry. With Introductory Essay by J. M. Bertew, Portrait of the Author, and so Tlustrations. Crown 8vo, cloth extra, 7s. 6d.
- Not many months before my friend's death, he had sent me two sketches
of ayoung American writer (Bret Harte), far away in California (The Outcasts of Poker Flat’ and another), in which he had found such subtle strokes of character as he had not anywhere else in late years discovered ; the manner resembling himself, but the matter fresh to a degree that had surprised him; the painting in all respects masterly, and the wild rude thing painted a quite wonderful reality. I have rarely known him more honestly moved,” —Fousten's Lirz oF Dickens.
