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A Study of Shakespeare.
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God help thee, shallow man! God make incision in thee! Thou art raw." And raw he is like to remain for all his learning, and for all incisions that can be made in the horny hide of a self-conceit to be pierced by the puncture of no man's pen. It was bad enough while theorists of this breed confined themselves to the suggestion of a possible partnership with Fletcher, a possible interpolation by Jonson; but in the descent from these to the alleged adulteration of the text by Middleton and Rowley we have surely sounded the very lowest depth of folly attainable by the utmost alacrity in sinking which may yet be possible to the bastard brood of Scriblerus. For my part, I shall not be surprised though the next discoverer should assure us that half at least of Hamlet is evidently due to the collaboration of Heywood, while the greater part of Othello is as clearly assignable to the hand of Shirley.

Akin to this form of folly, but less pernicious though not more profitable, is the fancy of inventing some share for Shakespeare in the composition of plays which the veriest insanity of conjecture or caprice could not venture to lay wholly to his charge. This fancy, comparatively harmless as it is, requires no ground of proof to go upon, no prop