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A Study of Shakespeare.
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journeyman in the arrangement or completion for the stage of Timon of Athens; and few probably would refuse to admit a doubt of the total authenticity or uniform workmanship of the Taming of the Shrew. As few, I hope, are prepared to follow the fantastic and confident suggestions of every unquiet and arrogant innovator who may seek to append his name to the long scroll of Shakespearean parasites by the display of a brand-new hypothesis as to the uncertain date or authorship of some passage or some play which has never before been subjected to the scientific scrutiny of such a pertinacious analyst. The more modest design of the present study has in part been already indicated, and will explain as it proceeds if there be anything in it worth explanation. It is no part of my ambition to loose the Gordian knots which others who found them indissoluble have sought in vain to cut in sunder with blunter swords than the Macedonian; but after so many adventures and attempts there may perhaps yet be room for an attempt yet unessayed; for a study by the ear alone of Shakespeare's metrical progress, and a study by light of the knowledge thus obtained of the corresponsive progress within, which found expression and embodiment in these outward and