Page:A study of Shakespeare (IA cu31924013158393).pdf/66

in which Shakespeare has taken on him to paint the action and passion of an insurgent populace. With him, it might too plausibly be argued, the people once risen in revolt for any just or unjust cause is always the mob, the unwashed rabble, the swinish multitude; full as he is of wise and gracious tenderness for individual character, of swift and ardent pity for personal suffering, he has no deeper or finer feeling than scorn for "the beast with many heads" that fawn and butt at bidding as they are swayed by the vain and violent breath of any worthless herdsman. For the drovers who guide and misguide at will the turbulent flocks of their mutinous cattle his store of bitter words is inexhaustible; it is a treasure-house of obloquy which can never be drained dry. All this, or nearly all this, we must admit; but it brings us no nearer to any but a floating and conjectural kind of solution. In the earliest form known to us of this play it should seem that we have traces of Shakespeare's handiwork, in the latest that we find evidence of Marlowe's. But it would be something too extravagant for the veriest wind-sucker among commentators to start a theory that a revision was made of his original work by Marlowe after additions had been made to it by Shakespeare;