that Nelson must have been had he never come too near Naples.
I am not minded to say much of Shakespeare's Arthur; there are one or two figures in the world of his work of which there are no words that would be fit or good to say. Another of these is Cordelia. The place they have in our lives and thoughts is not one for talk; the niche set apart for them to inhabit in our secret hearts is not penetrable by the lights and noises of common day. There are chapels in the cathedral of man's highest art as in that of his inmost life, not made to be set open to the eyes and feet of the world. Love and death and memory keep charge for us in silence of some beloved names. It is the crowning glory of genius, the final miracle and transcendent gift of poetry, that it can add to the number of these, and engrave on the very heart of our remembrance fresh names and memories of its own creation.
There is one younger child in this heavenly family of Shakespeare's who sits side by side with Arthur in the secret places of our thought; there are but two or three that I remember among the children of other poets who may be named in the same year with them: as Fletcher's Hengo, Web-
