requires for its solution some reasonable and acceptable theory as to the play of King Henry VIII. None such has ever yet been offered; and I certainly cannot pretend to supply one. Perhaps however it may be possible to do some service by an attempt to disprove what is untenable, even though it should not be possible to produce in its stead any positive proof of what we may receive as matter of absolute faith.
The veriest tiro in criticism who knows anything of the subject in hand must perceive, what is certainly not beyond a schoolboy's range of vision, that the metre and the language of this play are in great part so like the language and the metre of Fletcher that the first and easiest inference would be to assume the partnership of that poet in the work. In former days it was Jonson whom the critics and commentators of their time saw good to select as the colleague or the editor of Shakespeare; but a later school of criticism has resigned the notion that the fifth act was retouched and adjusted by the author of Volpone to the taste of his patron James. The later theory is more plausible than this; the primary objection to it is that it is too facile and superficial. It is waste of time to point out with any intelligent and imaginative child with
