Chapter III.
AND now we come to that great and important subject, the Fine Arts, which day by day are becoming more appreciated and find a rapid increase of patrons. It is true that there are some who do not regard Art as an essentiality, and who are even indifferent to it as an ornament. Viewed favorably by the masses, in the latter sense, does it not appeal to the mind and heart, and aid in the general education? A love of it was handed down to us from remote ages, when painting, hieroglyphics and signs were the beginning or the alpha of the interesting work. Then it was the weak infant struggling into being—now it is the giant, clothed with power and strength!
We can even go back to the deluge and the years close following, when sculpture was one of the arts, although perverted in the form of idols and graven images. Hundreds of years after, Phidias, the originator of the ideal style, chiselled statues out of ivory and gold, and still later the names of Praxitiles and Scopas tell of perfection in the art. Note the growing affection that has brought these crudities to the perfect image and the faultless painting, and let us give thanks that the brow of the sculptor has been decked with brightest laurel, and that some of the proudest niches
