Chapter V.
THE main gallery of paintings we now desire to make a separate theme. On entering the door, the full length figure of Mr. Corcoran—the grand painting by Elliott,—first greets the eye. It seems to extend a cordial welcome to all, and representing the donor of the art treasure aroud, is, therefore, par excellence, entitled No. 1. Nos. 2 and 3, are "The Departure and Return," by Thomas Cole and are most interesting in their inspiration. Although linked by a mutual tie, or their characteristics being similar, they are entirely distinct in the elements of joy and sadness, sunshine and gloom. In the first picture we are to go back to the feudal times, and clothe our imagination with heroism and romance, as we glance at noble cavaliers, richly clad, mounted on splendid horses, and their passions all aglow, bent on some military exploit. We see these spirited knights bearing spears and shields, having just bade farewell to a castle, whose stout walls are the pledge of safety and shelter, to mingle with an uncertain venture, or the warfare that leadeth to victory. Of defeat or death they do not dream; for all nature is smiling, the vernal winds piping in concert with the bugle's martial music. The bright, early morn gives glorious promise—the green-sward be-
