the sheet of music spread out on the table before him. He tried his flute. And then at last, with the odd gesture of a diver taking a plunge, he swung his head and began to play. A stream of music, soft and rich and fluid, came out of the flute. He played beautifully. He moved his head and his raised bare arms with slight, intense movements, as the delicate music poured out. It was sixteenth-century Christmas melody, very limpid and delicate.
The pure, mindless, exquisite motion and fluidity of the music delighted him with a strange exasperation. There was something tense, exasperated to the point of intolerable anger, in his good-humored breast, as he played the finely-spun peace-music. The more exquisite the music, the more perfectly he produced it, in sheer bliss; and at the same time, the more intense was the maddened exasperation within him.
Millicent appeared in the room. She fidgetted at the sink. The music was a bugbear to her, because it prevented her from saying what was on her own mind. At length it ended, her father was turning over the various books and sheets. She looked at him quickly, seizing her opportunity.
"Are you going out, Father?" she said.
"Eh?"
"Are you going out?" She twisted nervously.
"What do you want to know for?"
He made no other answer, and turned again to the music. His eye went down a sheet—then over it again—then more closely over it again.
"Are you?" persisted the child, balancing on one foot.
He looked at her, and his eyes were angry under knitted brows.
"What are you bothering about?" he said.
"I'm not bothering—I only wanted to know if you were going out," she pouted, quivering to cry.
"I expect I am," he said quietly.
She recovered at once, but still with timidity asked:
"We haven't got any candles for the Christmas tree—shall you buy some, because mother isn't going out?"
