emptied the remains of Algy's wine into his own glass: whilst Algy stood as if listening to something far off, and blinking terribly.
"Anyhow," he said at length, "you'll come, won't you? And bring the flute if you feel like it."
"Don't you take that flute, my boy," persisted Argyle. "Don't think of such a thing. If they want a concert, let them buy their tickets and go to the Teatro Diana. Or to Marchesa del Torre's Saturday morning. She can afford to treat them."
Algy looked at Argyle, and blinked.
"Well," he said. "I hope you'll get home all right, Argyle."
"Thank you for your courtesy, Algy. Won't you lend me your arm?"
As Algy was small and frail, somewhat shaky, and as Argyle was a finely built, heavy man of fifty or more, the slap was unkind.
"Afraid I can't tonight. Good-night—"
Algy departed, so did little Mee, who had sat with a little delighted disapproval on his tiny, bird-like face, without saying anything. And even the Jew Rosen put away his deaf-machine and began awkwardly to take his leave. His long nose was smiling to itself complacently at all the things Argyle had been saying.
When he, too, had gone, Argyle arched his brows at Aaron, saying:
"Oh, my dear fellow, what a lot they are!—Little Mee—looking like an innocent little boy. He's over seventy if he's a day. Well over seventy. Well, you don't believe me. Ask his mother—ask his mother. She's ninety-five. Old lady of ninety-five—" Argyle even laughed himself at his own preposterousness.
"And then Algy—Algy's not a fool, you know. Oh, he can be most entertaining, most witty, and amusing. But he's out of place here. He should be in Kensington, dandling round the ladies' drawing rooms and making his mots. They're rich, you know, the pair of them. Little Mee used to boast that he lived on eleven-and-three-pence a week. Had to, poor chap. But then what does a white mouse like that need?
