Page:Adams - Essays in Modernity.djvu/167

once to be admitted that in A Window in Thrums he not only broke new ground, but wrote a book portions of which can fitly be considered as literature. Of the twenty-two episodes, each in its particular chapter, which compose this picture of a township of poverty-stricken Scotch weavers, quite half are done excellently; one or two are little masterpieces. There is nothing great about his way of doing it. The secret of showing the reflection of the stars in the puddles, in Dostoieffsky's fine phrase, is hidden from him. The moment he tries to bring in Nature, the parent of the vast inanimate forces which, whether we know it or not, influence us all so profoundly in our moods, our humours, our very temperaments, he fails completely. If Pierre Loti gives us a picture of the Breton fisher-folk, he makes us feel and understand how they are all as much the growth of the place, the climate, the seasons, as the animals and birds, the flowers and grasses. All this escapes Mr. Barrie. He has only seen, and can only render, what is directly obvious to the myopic gaze of everyday love. He gives all the soulless pettiness, the ravenous snobbery, of these poor people. He gives also their sombre, inarticulate passions of affection and endurance, but nothing more. They remain isolated, baseless, suspended in mid-air, so to say. To him, men and women are merely 'pilgrims