vinced that this last surmise of mine was right. For some reason or other she did not wish to let the acquaintance ripen into friendship. And though half an hour earlier this had been precisely my own view, I did not enjoy having the tables turned upon me. The whole affair was profoundly unsatisfactory, and I went up to the Villa Geneviève in a condition of distinct ill humour. I did not go to the house, but went up the path to the little bench by the shed, and sat there moodily enough.
I was distracted from my thoughts by the sound of voices close at hand. In a second or two I realized that they came, not from the garden I was in, but from the adjoining garden of the Villa Marguerite, and that they were approaching rapidly. A girl’s voice was speaking, a voice that I recognized as that of the beautiful Marthe.
“Chéri,” she was saying, “is it really true? Are all our troubles over.”
“You know it, Marthe,” Jack Renauld replied. “Nothing can part us now, beloved. The last obstacle to our union is removed. Nothing can take you from me.”
“Nothing?” the girl murmured. “Oh, Jack, Jack—I am afraid.”
I had moved to depart, realizing that I was quite unintentionally eavesdropping. As I rose to my feet, I caught sight of them through a gap in the hedge. They stood together facing me, the man’s arm round the girl, his eyes looking into hers. They were a splendid looking couple, the dark, well-knit boy, and the fair young goddess. They seemed made for each other as they stood there, happy in spite of the terrible tragedy that overshadowed their young lives.
But the girl’s face was troubled, and Jack Renauld seemed to recognize it, as he held her closer to him and asked:
“But what are you afraid of, darling? What is there to fear—now?”
And then I saw the look in her eyes, the look Poirot had spoken of, as she murmured, so that I almost guessed at the words.
