Renauld and his wife. So far he has been a nice little source of income to the Daubreuil mother and daughter, but now he proposes to escape from their toils. At first, possibly, her idea is to prevent that escape. But a bolder idea takes its place, and one that fails to horrify the daughter of Jeanne Beroldy! At present M. Renauld stands inexorably in the way of her marriage with Jack. If the latter defies his father, he will be a pauper—which is not at all to the mind of Mademoiselle Marthe. In fact, I doubt if she has ever cared a straw for Jack Renauld. She can simulate emotion, but in reality she is of the same cold, calculating type as her mother. I doubt, too, whether she was really very sure of her hold over the boy’s affections. She had dazzled and captivated him, but separated from her, as his father could so easily manage to separate him, she might lose him. But with M. Renauld dead, and Jack the heir to half his millions, the marriage can take place at once, and at a stroke she will attain wealth—not the beggarly thousands that have been extracted from him so far. And her clever brain takes in the simplicity of the thing. It is all so easy. M. Renauld is planning all the circumstances of his death—she has only to step in at the right moment and turn the farce into a grim reality. And here comes in the second point which led me infallibly to Marthe Daubreuil—the dagger! Jack Renauld had three souvenirs made. One he gave to his mother, one to Bella Duveen; was it not highly probable that he had given the third one to Marthe Daubreuil?
“So then, to sum up, there were four points of note against Marthe Daubreuil:
“(1) Marthe Daubreuil could have overheard M. Renauld’s plans.
“(2) Marthe Daubreuil had a direct interest in causing M. Renauld’s death.
“(3) Marthe Daubreuil was the daughter of the notorious Madame Beroldy who in my opinion was morally and virtually the murderess of her husband, although it
