slight to his honour or disregard of his affections and suddenly "amok"? The wise adviser would be the first victim, no doubt, and death would be his reward. And underlying the horror of this situation there was the danger of those meddlesome fools, the white men. A vision of comfortless exile in far-off Madura rose up before Babalatchi. Wouldn't that be worse than death itself? And there was that half-white woman with threatening eyes. How could he tell what an incomprehensible creature of that sort would or would not do? She knew so much that she made the killing of Dain an impossibility. That much was certain. And yet the sharp, rough-edged kriss is a good and discreet friend, thought Babalatchi, as he examined his own lovingly, and put it back in the sheath, with a sigh of regret, before unfastening his canoe. As he cast off the painter, pushed out into the stream, and took up his paddle, he realised vividly how unsatisfactory it was to have women mixed up in state affairs. Young women, of course. For Mrs. Almayer's mature wisdom, and for the easy aptitude in intrigue that comes with years to the feminine mind, he felt the most sincere respect.
He paddled leisurely, letting the canoe drift down as he crossed towards the point. The sun was high yet, and nothing pressed. His work would commence only with the coming of darkness. Avoiding the Lingard jetty, he rounded the point, and paddled up the creek at the back of Almayer's house. There were many canoes lying there, their noses all drawn together, fastened all to the same stake. Babalatchi pushed his little craft in amongst them and stepped on shore. On the other side of the ditch something moved in the grass.
"Who's that hiding?" hailed Babalatchi. "Come out and speak to me."
