the government officials, had made their preparations to leave. The Director of the Museum, who was one of the six Turks to whom Talaat had referred as "liking old things" had buried many of Constantinople's finest works of art in cellars or covered them for protection. Bedri came to arrange the details of my departure. As ambassador I was personally accredited to the Sultan, and it would obviously be my duty, said Bedri, to go wherever the Sultan went. The train was all ready, he added; he wished to know how many people I intended to take, so that sufficient space could be reserved. To this proposal I entered a flat refusal. I informed Bedri that I thought that my responsibilities made it necessary for me to remain in Constantinople. Only a neutral ambassador, I said, could forestall massacres and the destruction of the city, and certainly I owed it to the civilized world to prevent, if I could, such calamities as these. If my position as ambassador made it inevitable that I should follow the Sultan, I would resign and become honorary Consul-General.
Both Bedri and Djambolat were much younger and less experienced men than I, and I therefore told them that they needed a man of maturer years to advise them in an international crisis of this kind. I was not only interested in protecting foreigners and American institutions, but I was also interested, on general humanitarian grounds, in safeguarding the Turkish population from the excesses that were generally expected. The several nationalities, many of them containing elements which were given to pillage and massacre, were causing great anxiety. I therefore proposed to Bedri and Djambolat that the three of us form a kind of a committee to take control in the approaching crisis.
