in the mind as properties are viewed in relation to human designs. Qualities are relations, and the terms of the relation are properties on the one hand and purposes on the other. Now, we cannot expunge either of these terms without expunging the relation. We may not overtly consider the terms, but consider only the relation as an abstraction. Then the terms must be implied, for there is no quality unless there is an external property and an internal purpose. When properties are considered as qualities in their relation to human purposes, the judgments formed are judgments of good and evil. The judgments which men form of good and evil give rise to a multitude of human activities which are known as the arts. Those activities which are put forth to secure pleasure and to avoid pain are esthetic arts, and the science of the esthetic arts is Esthetology.
We discover the properties of things as causes through our senses, and we discover the effect of these properties on ourselves through our feelings. One term of the relation, therefore, is discovered by making intellectual judgments; the other term is discovered by making emotional judgments.
Of the judgments of truth and error I have treated in the work previously cited; the judgments of good and evil constitute the theme of the present article. In order that we may set forth the characteristics of these judgments, it becomes necessary to set forth the characteristics of the art activities in which men engage for the purpose of securing good and avoiding evil.
AMBROSIAL PLEASURES
Pleasures arise as demotic arts when they are designed to please others—the people. A lad may play ball for his own pleasure; but the professional ballplayer plays for others, his own immediate purpose being gain or welfare. This distinction must be kept in view: Pleasures are first egoistic, but soon become altruistic. When they become altruistic as pleasures they become egoistic as industries.
