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In Lombardy. 405 The School of Parma may almost be said to begin and end with Correggio. He had no pupils who attained to any eminence ; but he had many imitators, of whom Francesco Mazzuoli (1504—1540), known by the name of Fig. 142. — Madonna della Scodella. By Correggio. In the Parma Gallery. Parmigiano, was the chief, and indeed the only one of importance. His style resembles that of Correggio in many particulars; but he also combines something of
