The Frivolousness of the Subject too, we may observe, is not able to detach us entirely from what carries an Image of human Sentiment and Affection.
When a Person stutters, and pronounces with Difficulty, we even sympathize with this trivial Uneasiness, and suffer for him. And 'tis a Rule in Criticism, that every Combination of Syllables or Letters, which gives Pain to the Organs of Speech in the Recital, appears also, from a Species of Sympathy, harsh and disagreeable to the Ear. Nay, when we run over a Book with our Eye, we are sensible of such unharmonious Composition; because we still imagine, that a Person recites it to us, and suffers from the Pronunciation of these jarring Sounds. So delicate is our Sympathy!
Easy and unconstrain'd Postures and Motions are always beautiful: An Air of Health and Vigour is agreeable: Cloaths, that warm, without burthening the Body; that cover, without imprisoning the Limbs, are well-fashion'd. In every Judgment of Beauty, the Sentiments are Feelings of the Persons affected enter into Consideration, and communicate to the Spectators similar Touches of Pain or Plea-sure
