therefore to have lifted up the standard of nature, in spite of all the opposition and the persecution he received from cotemporary criticism. To this standard every succeeding genius resorted; the germ of every art and science began to unfold, and to imitate nature was found to be the surest way of imitating antiquity. In a century or two after, modern Italy might justly boast of rivalling ancient Rome; equal in some branches of polite learning, and not far surpassed in others.
They soon however fell from emulating the wonders of antiquity into simple admiration. As if the word had been given when Vida and Tasso wrote on the arts of poetry, the whole swarm of critics was up; the Speroni's of the age attempted to be awkwardly merry; and the virtuosi and the Nascottisat
