for before. As for the more material faults of writing, which are properly mine, though I see many of them, I want leisure to amend them. 'Tis enough for those who make one poem the business of their lives, to leave that correct: yet, excepting Virgil, I never met with any which was so in any language.
But while I was thus employed about this impression, there came to my hands a new printed play, called, The Great Favourite, or The Duke of Lerma) the author of which, a noble and most ingenious person, has done me the favour to make some observations and animadversions upon my Dramatique Essay. I must confess he might have better consulted his reputation, than by matching himself with so weak an adversary. But if his honour be diminished in the choice of his antagonist, it is sufficiently recompensed in the election of his cause: which being the weaker, in all appearance, as combating the received opinions of the best ancient and modern authors, will add to his glory, if he overcome, and to the opinion of his
ever, having in 1668 published [in the preface to his tragedy, The Duke of Lerma] reflections on the Essay, our author retorted in the following observations, which are found prefixed to the second edition of The Indian Emperor, published in the same year. In many copies, however, of that edition, they are wanting; nor were they reprinted in any other edition of that play which appeared in the life-time of the author: so that it should seem he was induced by good nature, or the interposition of friends, to suppress this witty and severe replication. One of the lampoons of the time gives a more invidious turn to this suppression, and insinuates that he was compelled to retract. They lived afterwards probably in good correspondence together; at least, it appears from an original letter of our author now before me, that towards the close of his life they were on friendly terms. (Malone.)
