motion of the main plot: as[1] they say the orb of the fixed stars, and those of the planets, though they have motions of their own, are whirled about by the motion of the primum mobile, in which they are contained n. That similitude expresses much of the English stage; for if contrary motions may be found in nature to agree; if a planet can go east and west at the same time;—one way by virtue of his own motion, the other by the force of the first mover;—it will not be difficult to imagine how the under-plot, which is only different, not contrary to the great design, may naturally be conducted along with it.
'Eugenius has already shewn us, from the confession of the French poets, that the unity of action is, sufficiently preserved, if all the imperfect actions of the play are conducing to the main design; but when those petty intrigues of a play are so ill ordered, that they have no coherence with the other, I must grant that Lisideius has reason to tax that want of due connexion; for co-ordination in a play is as dangerous and unnatural as in a state. In the mean time he must acknowledge, our variety, if well ordered, will afford a greater pleasure to the audience.
'As for his other argument, that by pursuing one single theme they gain an advantage to express and work up the passions, I wish any example he could bring from them would make it good; for I confess their verses are to me the coldest I have ever read. Neither, indeed, is it possible for them, in the way they take, so to express passion, as that the effects of it should appear in the concernment of an audience,
- ↑ just as, A.
