latitude to the rules than I have done, when, by experience, they had known how much we are limited[1] and constrained by them, and how many beauties of the stage they banished from it." To illustrate a little what he has said:—By their servile observations of the unities of time and place, and integrity of scenes, they have brought on themselves that dearth of plot, and narrowness of imagination, which may be observed in all their plays. How many beautiful accidents might naturally happen in two or three days, which cannot arrive with any probability in the compass of twenty-four hours? There is time to be allowed also for maturity of design, which, amongst great and prudent persons, such as are often represented in tragedy, cannot, with any likelihood of truth, be brought to pass at so short a warning. Farther; by tying themselves strictly to the unity of place, and unbroken scenes, they are forced many times to omit some beauties which cannot be shewn where the act began; but might, if the scene were interrupted, and the stage cleared for the persons to enter in another place; and therefore the French poets are often forced upon absurdities; for if the act begins in a chamber, all the persons in the play must have some business or other to come thither, or else they are not to be shewn that act; and sometimes their characters are very unfitting to appear there: as, suppose it were the king's bed-chamber; yet the meanest man in the tragedy must come and dispatch his business there, rather than in the lobby or courtyard, (which is fitter for him,) for fear the
- ↑ bound up, A.
