they are interrupted once[1]. The action of the play is entirely one; the end or aim of which is the settling Morose's estate on Dauphine. The intrigue of it is the greatest and most noble of any pure unmixed comedy in any language; you see in it many persons of various characters and humours, and all delightful. As first, Morose, or an old man, to whom all noise but his own talking is offensive. Some who would be thought criticks, say this humour of his is forced: but to remove that objection, we may consider him first to be naturally of a delicate hearing, as many are, to whom all sharp sounds are unpleasant; and secondly, we may attribute much of it to the peevishness of his age, or the wayward authority of an old man in his own house, where he may make himself obeyed; and to this the poet seems to allude[2] in his name Morose. Besides this, I am assured from divers persons, that Ben Johnson was actually acquainted with such a man, one altogether as ridiculous as he is here represented. Others say, it is not enough to find one man of such an humour; it must be common to more, and the more common the more natural. To prove this, they instance in the best of comical characters, Falstaff. There are many men resembling him; old, fat, merry, cowardly, drunken, amorous, vain, and lying. But to convince these people, I need but tell them, that humour is the ridiculous extravagance of conversation, wherein one man differs from all others. If then it be common, or communicated to many, how differs it from other men's? or what indeed causes it to be ridiculous so much as the
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OF DRAMATIC POESY.
