Maple Green begins at Hunter Brough's studio and ends at the Maple Tree Inn, a quarter of a mile away. In point of fact, it is only a string of summer studios lining one side of a well-kept country road in the Connecticut hills. On the other side lie fields and orchards, squared and quadrangled by stone walls, and curving concavely upward and away into a green ridge. Here and there, always at the end of a narrow lane leading from the highway, a farmhouse peers tranquilly forth upon the little studios from a nest of trees, like a dignified mother hen keeping a watchful eye upon a brood of flighty chickens.
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And to the square-cornered, rigidly
proper farm-houses those studios
must look flighty enough. Such
strange roofs, dipping and slanting in
