| NO. |
|
PAGE
|
| 38. |
Musical Criticism, |
42
|
| 279. |
Musical Cooks, |
275
|
| 56. |
Musical Gratitude, |
57
|
| 283. |
Music for the Eye, |
279
|
| 83. |
Music Hath Charms, |
81
|
| 43. |
Music and Madness, |
46
|
| 102. |
Music at So Much per Note, |
99
|
| 192. |
Music vs. Commerce, |
189
|
| 220. |
Music vs. Conversation |
217
|
|
|
| 111. |
Napoleon Outwitted by a Songtress, |
108
|
| 253. |
Nasal, |
249
|
| 108. |
Nilsson and the Shah of Persia, |
103
|
| 213. |
Not at First Sight, |
210
|
| 239. |
Not the Geese that Saved Rome, |
234
|
|
|
| 17. |
Ole Bull as a Duelist, |
25
|
| 14. |
Ole Bull at "Rouge-et-Noir," |
22
|
| 89. |
Old Words to New Tunes, |
87
|
| 278. |
One Kind of Criticism, |
274
|
| 66. |
Operatic Sore Throat, |
66
|
| 209. |
Original Tapestry, |
206
|
| 289. |
Origin of the Name "Kreutzer Sonata," |
286
|
| 273. |
Our Musical Advancement, |
268
|
| 15. |
Outspoken Admiration, |
23
|
| 252. |
Overfed Composers, |
248
|
|
|
| 152. |
Paganini's Generous Deed, |
153
|
| 226. |
Paganini in Court Dress, |
222
|
| 261. |
Paganini's Method of Study, |
256
|
| 177. |
Patti, Madame, |
174
|
| 100. |
Patti's Vanity, |
97
|
| 208. |
Peculiar English, |
205
|
| 64. |
Personal Appearance, |
64
|
| 12. |
Playing like "Zwei Gotts," |
21
|
| 86. |
Playing on a Shoe, |
85
|
| 175. |
Pot-boilers, |
172
|
| 55. |
Prejudice, |
56
|
| 223. |
Preserving Identity, |
220
|
| 45. |
Prima Donnas Come High, |
48
|
| 282. |
Prolific Composers, |
278
|
| 182. |
Proving Identity, |
179
|
| 187. |
Public Criticism, |
185
|
|
|
| 179. |
Rapid Composition, |
176
|
| 27. |
Rather a Hard Opponent to Conquer, |
33
|
| 136. |
Rec'd in Full of A/c, |
137
|
