| NO. |
|
PAGE
|
| 165. |
The History of a Violin, |
163
|
| 210. |
The Manual Labor of Composition, |
207
|
| 275. |
The Modern Tendency, |
271
|
| 29. |
The Music but Not the Face, |
35
|
| 107. |
The "Ox" Minuet, |
103
|
| 140. |
The Peculiarities of Genius, |
141
|
| 118. |
The Prima Donna of the Eighteenth Century, |
116
|
| 245. |
The “Prison Josephs," |
241
|
| 77. |
The Right Kind of a Patron, |
76
|
| 268. |
The Story of Mozart's Requiem, |
264
|
| 62. |
The Temple Organ, |
63
|
| 189. |
The Thirty-three Variations, |
187
|
| 120. |
The Ups and Downs of a Singer's Life, |
118
|
| 221. |
The World's Reward to Genius, |
217
|
| 21. |
The Youthful Beethoven's Trick on a Singer, |
27
|
| 185. |
Their Favorite Surroundings for Composition, |
182
|
| 59. |
Three Classes of Players, |
60
|
| 294. |
To a Pauper's Grave, |
292
|
| 236. |
To Make a Player Play, |
231
|
| 168. |
Too Literal, |
166
|
| 31. |
Traveling in State, |
36
|
| 237. |
True Kindliness, |
232
|
| 32. |
Tuning Up, |
37
|
| 147. |
Two Kinds of Bills, |
147
|
|
|
| 145. |
Unfailing Sight Reading an Impossibility, |
146
|
| 48. |
Unlucky Manuscripts, |
50
|
|
|
| 174. |
Violin Collectors, |
172
|
| 238. |
Viotti's Independence, |
233
|
| 129. |
Viotti's Tin Fiddle, |
129
|
| 33. |
Voice Against Trumpet, |
38
|
| 148. |
Von Bülow as a Political Speaker, |
149
|
| 184. |
Von Bülow's Memory, |
182
|
| 212. |
Von Bülow's Peculiarities, |
209
|
| 171. |
Von Weber to a Bawling Choir, |
169
|
| 166. |
"Vorts" vs. Music, |
164
|
| 204. |
Vox Populi, |
201
|
|
|
| 255. |
Wagner's Activity, |
250
|
| 203. |
Wagner and the Beggars, |
200
|
| 84. |
Wagner's Melodies and Chords, |
83
|
| 137. |
Wagner's Working Costume, |
137
|
| 205. |
What's in a Name, |
202
|
| 258. |
When They Began, |
253
|
| 16. |
Whims of Composers, |
24
|
| 3. |
Why We Should Sing, |
11
|
| 161. |
Wine and Music, |
160
|
