Page:Anne Bradstreet and her time.djvu/263

few passages of any distinctive character, the poem, like her "Four Monarchies," being only a paraphrase of her reading. In "The Four Seasons," there was room for picturesque treatment of the new conditions that surrounded her, but she seems to have been content, merely to touch the conventional side of nature, and to leave her own impressions and feelings quite out of the question. The verses should have held New England as it showed itself to the colonists, with all the capricious charges that moved their wonder in the early days. There was everything, it would have seemed, to excite such poetical power as she possessed, to the utmost, for even the prose of more than one of her contemporaries gives hints of the feeling that stirred within them as they faced the strange conditions of the new home. Even when they were closely massed together, the silent spaces of the great wilderness shut them in, its mystery beguiling yet bewildering them, and the deep woods with their unfamiliar trees, the dark pines on the hill-side, all held the sense of banishment and even terror. There is small token of her own thoughts or feelings, in any lines of hers, till late in life, when she dropped once for all the methods that pleased her early years, and in both prose and poetry spoke her real mind with a force that fills one with regret at the waste of power in the dreary pages of the "Four Monarchies." That she had keen susceptibility to natural beauty this later poem abundantly proves, but in most of them there is hardly a hint of what must have impressed itself upon her, though probably it was the more valued by her readers, for this very reason.