insist on plots, so Priscilla says. Oh, there’s Miss Sarah Copp now. Please, Diana, go and explain.”
Miss Sarah Copp was a small person, garbed in shabby black, with a hat chosen less for vain adornment than for qualities that would wear well. She looked as amazed as might be expected on seeing the curious tableau in her yard, but when she heard Diana’s explanation she was all sympathy. She hurriedly unlocked the back door, produced the axe, and with a few skilfull blows set Anne free. The latter, somewhat tired and stiff, ducked down into the interior of her prison and thankfully emerged into liberty once more.
“Miss Copp,” she said earnestly. “I assure you I looked into your pantry window only to discover if you had a willow-ware platter. I didn’t see anything else—I didn’t look for anything else.”
“Bless you, that’s all right,” said Miss Sarah amiably. “You needn’t worry—there’s no harm done. Thank goodness, we Copps keep our pantries presentable at all times and don’t care who sees into them. As for that old duckhouse, I’m glad it’s smashed, for maybe now Martha will agree to having it taken down. She never would before for fear it might come in handy sometime and I’ve had to whitewash it every spring. But you might as well argue with a post as with Martha. She went to town to-day—I drove her to the station. And you want to buy my platter. Well, what will you give for it?”
“Twenty dollars,” said Anne, who was never
