thought her so very handsome. Diana Barry’s beauty of crimson cheek and black curls was much more to Charlotta the Fourth’s taste than Anne’s moonshine charm of luminous gray eyes and the pale, ever-changing roses of her cheeks.
“But I’d rather look like you than be pretty,” she told Anne sincerely.
Anne laughed, sipped the honey from the tribute, and cast away the sting. She was used to taking her compliments mixed. Public opinion never agreed on Anne’s looks. People who had heard her called handsome met her and were disappointed. People who had heard her called plain saw her and wondered where other people’s eyes were. Anne herself would never believe that she had any claim to beauty. When she looked in the glass all she saw was a little pale face with seven freckles on the nose thereof. Her mirror never revealed to her the elusive, ever-varying play of feeling that came and went over her features like a rosy illuminating flame, or the charm of dream and laughter alternating in her big eyes.
While Anne was not beautiful in any strictly defined sense of the word she possessed a certain evasive charm and distinction of appearance that left beholders with a pleasurable sense of satisfaction in that softly rounded girlhood of hers, with all its strongly felt potentialities. Those who knew Anne best felt, without realizing that they felt it, that her greatest attraction was the aura of possibility surrounding her . . . the power of future development that was in
