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ANNE OF AVONLEA

and after a decent interval he thinks he’ll come home and see if his first fancy’ll have him. Meanwhile, she’s been living single, probably because nobody nice enough came along to want her, and they meet and agree to be married after all. Now, where is the romance in all that?”

“Oh, there isn’t any, when you put it that way,” gasped Anne, rather as if somebody had thrown cold water over her. “I suppose that’s how it looks in prose. But it’s very different if you look at it through poetry . . . and I think it’s nicer . . .” Anne recovered herself and her eyes shone and her cheeks flushed . . . “to look at it through poetry.”

Marilla glanced at the radiant young face and refrained from further sarcastic comments. Perhaps some realization came to her that after all it was better to have, like Anne, “the vision and the faculty divine” . . . that gift which the world cannot bestow or take away, of looking at life through some transfiguring . . . or revealing? . . . medium, whereby everything seemed apparelled in celestial light, wearing a glory and a freshness not visible to those who, like herself and Charlotta the Fourth, looked at things only through prose.

“When’s the wedding to be?” she asked after a pause.

“The last Wednesday in August. They are to be married in the garden under the honeysuckle trellis . . . the very spot where Mr. Irving proposed to her twenty-five years ago. Marilla, that is romantic, even

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