“Here is a letter with an Indian stamp for you, Aunt Jimsie,” said Phil. “Here are three for Stella, and two for Pris, and a glorious fat one for me from Jo. There’s nothing for you, Anne, except a circular.”
Nobody noticed Anne’s flush as she took the thin letter Phil tossed her carelessly. But a few minutes later Phil looked up to see a transfigured Anne.
“Honey, what good thing has happened?”
“The Youth’s Friend has accepted a little sketch I sent them a fortnight ago,” said Anne, trying hard to speak as if she were accustomed to having sketches accepted every mail, but not quite succeeding.
“Anne Shirley! How glorious! What was it? When is it to be published? Did they pay you for it?”
“Yes; they’ve sent a check for ten dollars, and the editor writes that he would like to see more of my work. Dear man, he shall. It was an old sketch I found in my box. I re-wrote it and sent it in—but I never really thought it could be accepted because it had no plot,” said Anne, recalling the bitter experience of Averil’s Atonement.
