recommended to bestow the Cross of St. Paul on the painter. I consented without demur. In mere matters of taste I have always considered myself bound to reflect public opinion.
Now for reality. An old man struggling hard for breath; gasps now quicker, now slower; a few words half-formed, choked, unintelligible; eyes that were full of an impotent desire to speak; these came first. Then the doctors gathered round, looked, whispered, went away. I rose and walked twice across the room; coming back, I stood and looked at him. Still he knew me. Suddenly his hand moved toward me. I bent my head till my ear was within three inches of his lips; I could hear nothing. I saw a doctor standing by, watch in hand; he was timing the breath that grew slower and slower. "Will he speak?" I asked in a whisper; a shake of the head answered me. I looked again into his eyes; now he seemed to speak to me. My face grew hot and red; but I did not speak to him. Yet I stroked his hand, and there was a gleam of understanding in his eyes. A moment later his eyes closed; the gasps became slower and slower. I raised my head and looked across at the doctor. His watch had a gold front protecting the glass; he shut the front on the face with a click.
Very likely there were no proper materials for a picture here; the sentiment, the historical interest, the situation would all have been defective. Men die in so very much the same way, and in so very much the same way men watch them dying. Death is the triumph of the physical. I must not complain that the painter imported some sentiment.
In twenty minutes I was back again in my carriage, being driven home rapidly. My dinner was
